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James R (Randy) Fromm's avatar

An enjoyable and thought-provoking read … as always. I am partial to the lens analogy. While ‘framing’ an image in the viewfinder gets at the strictures and structures imposed by some external agent ‘choosing’ what falls inside/outside the frame, I see an extension of the analogy in another element of photography that we tend to take for granted (because it is inherent to our ‘visioning’ process): depth of field. At the intersection of focus and aperture, depth of field isolates within the given frame the very thing that draws (or is supposed to draw) our attention.

Of course, the analogy falls apart when considering ‘sublime’ landscapes with apparently infinite depth of field (like Ansel Adams’ work).

Reading your thoughts on how frames are and become part of us, seemingly precognitively, made me think of the work of Aldous Huxley in *The Doors of Perception*, specifically with regard to what he calls ‘mind at large’. Mind at large is what we have, as babies, *before* filters associated with social and biological survival needs start to form. Huxley describes this primal state-of-being and its eventual erosion when analyzing his experience after having taken a small dose of mescaline. This conclusion on his part, and his recognition of the role of the psychotropic in reaching it, suggest that your ‘going meta’ – recognizing the frames so that they can be eliminated, altered or mitigated – might be helped along by, if not the actual guided use of psychotropics, psychagogic or psychotherapeutic processes.

Of course, good luck getting anyone ideologically cemented to their frames to sit down for psychotherapy.

Randy

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