Frame Warfare: The Invisible Propaganda War
It's difficult to see the frames that are being used to shape our understanding of reality, unless we go meta
Frame warfare is the way that propagandists battle to control how we think about things, events, people, and political controversies. You might think that propaganda is limited to controlling what we think, but dark arts practitioners know that controlling how we think about things is just as important as controlling what we think about.
Political framing is a lot like taking a photo. If you’re taking a photo of the Grand Canyon or Claude Monet’s Water Lilies, it’s impossible to capture the entirety of what you see. Instead, you will limit how reality is represented by what you choose to include in the frame. The act of framing a photo is never neutral because it distorts reality by showing certain bits while hiding others. The same is true for political framing.
Political frames highlight and hide how we understand reality, but they also work at a deeper level to shape how we think. Linguists George Lakoff and Elisabeth Wehling explain that frames structure and enable our thoughts. Our brains process most incoming information in ways that are inaccessible to our conscious minds—“reasoning that we don’t notice, don’t reflect upon, and cannot control.” Repeated exposure to a frame changes how our brains process information. The more a frame is repeated to describe reality, the more “sticky” it becomes, the more fluently our brains process it, the more we think within the parameters of the frame, and the more positively we think of the thing being framed.
Conversely, according to Lakoff, if new information can’t easily fit into your brain’s pre-existing conceptual structures, then your brain often rejects it, and you’ll soon forget that information. You can’t fight a dominant frame with evidence. Your brain’s frames don’t care about other frames’ facts or their feelings—it rejects anything that doesn’t conform with its existing frame structures.
Because all of this information processing occurs pre-cognitively (prior to conscious thought), we are mostly unaware that we’ve adopted a particular frame—we can’t see how our brains have highlighted and hidden how we perceive reality unless our attention is explicitly drawn to examining frames.
We are all vulnerable to framing effects, which is why so much of our political discourse is frame warfare—the battle to control how we think about things.
A recent example of political frame warfare comes from Texas Governor Greg Abbott, who wants us to think the nation is being invaded at the southern border. If a politician frames an issue like “border security” as a “humanitarian crisis,” for example, that’s very different from framing it as an “invasion.” The issue (border security) itself changes depending on whether you think of it as a humanitarian crisis or an invasion—different facts will seem more salient, different emotions will become associated with the issue, and different courses of action will seem more or less prudent.
There’s much at stake because embedded within any frame is a bundle of values, assumptions, histories, and policies. Adopting a frame (humanitarian crisis v invasion) essentially ends the debate over that issue, which is why propagandists try so hard to control not just whether or not we think about border security at all but how we think about it.
Much of our political discourse—whether in speeches, news reports, or on social media platforms like Twitter—is actually a battle over controlling which frame dominates any particular issue. But, just like how our brains adopt frames without our conscious awareness, the frame warfare in our politics is hardly ever acknowledged or interrogated.
The best way to see the frame wars is to think within the frame of the frame wars. By that I mean we have to “go meta” by recognizing that frame warfare exists and its powerful effects control our perceptions of reality. We have to talk about the frame wars.
You can easily see how frames are deployed in the news by visiting (for example) fox, ap, msnbc, and cnn for a few days.
Notice which stories are at the top of the page for each news organization.
Notice how the headlines shape perceptions of the story.
Notice how the images being used tell a story.
Notice who or what is presented as heroic and who or what is presented as a threat.
Notice how outrage is constructed to elicit an emotional response in the reader.
When you do this, you’ll see that some news organizations strive to be neutral and objective, while others do not. Outrage media is designed to elicit an emotional response in audiences and their frames are more obvious to a critical reader. But there are frames being deployed in those neutral stories too, they’re just more difficult to see. How we call something matters.
For example: is border security really either a humanitarian crisis or an invasion? Is there some more neutral way of thinking about it (perhaps an unresolved policy dispute?) that doesn’t activate so many polarizing assumptions, values, and actions? Of course, there is. But dark arts communicators don’t want us to think about that—activating a frame is the quickest route to manipulating minds, which makes it a powerful rhetorical trick. It’s better for them if we never pull back the curtain to see how they use frames to control how we think.
An enjoyable and thought-provoking read … as always. I am partial to the lens analogy. While ‘framing’ an image in the viewfinder gets at the strictures and structures imposed by some external agent ‘choosing’ what falls inside/outside the frame, I see an extension of the analogy in another element of photography that we tend to take for granted (because it is inherent to our ‘visioning’ process): depth of field. At the intersection of focus and aperture, depth of field isolates within the given frame the very thing that draws (or is supposed to draw) our attention.
Of course, the analogy falls apart when considering ‘sublime’ landscapes with apparently infinite depth of field (like Ansel Adams’ work).
Reading your thoughts on how frames are and become part of us, seemingly precognitively, made me think of the work of Aldous Huxley in *The Doors of Perception*, specifically with regard to what he calls ‘mind at large’. Mind at large is what we have, as babies, *before* filters associated with social and biological survival needs start to form. Huxley describes this primal state-of-being and its eventual erosion when analyzing his experience after having taken a small dose of mescaline. This conclusion on his part, and his recognition of the role of the psychotropic in reaching it, suggest that your ‘going meta’ – recognizing the frames so that they can be eliminated, altered or mitigated – might be helped along by, if not the actual guided use of psychotropics, psychagogic or psychotherapeutic processes.
Of course, good luck getting anyone ideologically cemented to their frames to sit down for psychotherapy.
Randy